Part & Parcel Forever and Ever

Part & Parcel Animation

Part & Parcel Animation

The ever creative Part & Parcel, made up of Damien Correll and Garrett Morin, have updated their site with a new video on the front page. I’m honestly amazed by these two, I don’t know how they think up these ideas (drugs), but they always do such a great job and make it look so easy. I mean, they took a bunch of blocks and some string and some colorful backgrounds and made this amazing video which I can’t stop watching. I would love to have this playing non-stop in my apartment like a tiny installation piece. Great work, fellas!

Bobby

Bobby Solomon

January 27, 2011 / By

‘Fairlight’ by Com Truise

Cyanide Sisters EP by Com Truise

Fairlight by Com Truise

I’m excited for my friends at Ghostly with the release of their newest artist, Com Truise. Com Truise is the alter ego of Seth Haley, an upstate New York producer who makes, as the Ghostly site writes, “softer, window-fogging synth-wave.” Whatever it is I like it, as evidenced by the video for his Fairlight. The video was created by 10lb Pictures, run by Will Joines & Sowjanya Kudva, who created this retro-futuristic video from what look like found clips. The video is quite fitting though, don’t you think?

You can grab Com’s new Cyanide Sisters EP from the Ghostly store, 11 tracks for $6.97.

Bobby

Bobby Solomon

January 27, 2011 / By

The Cremaster Cycle

the cremaster cycle

The first time I saw Matthew Barney (or rather one of the many grotesquely strange manifestations of the artist) he stared me down from the front cover of David Hopkins’ book, After Modern Art 1945-2000. Adorned in prosthetic make-up with orange kiss curls and a dandy-esque white suit I wasn’t entirely sure what to make of him or the stills I saw of his epic art/film/sculpture work, The Cremaster Cycle. Unlike the majority of the films I have written on for this series, Barney’s series is not merely cinema, but art. Accordingly, you cannot just nip down to your local video store and rent out a copy and instead have to wait for special screenings. A number of years after I first caught a glance of Barney I made the overly enthusiastic but ultimately foolish decision to attend a screening that showed all five films in the order that they were made.

The forms don’t really take on life for me until they’ve been ‘eaten’, passed through the narrative construction.
- Matthew Barney

Composed of five films (Cremaster 4 [1994], Cremaster 1 [1995], Cremaster 5 [1997], Cremaster 2 [1999] and Cremaster 3 [2002]), the title of Barney’s opus is taken “from the cremaster muscle in the male genitals from which the testicles are suspended, and which is retracted in a reflex movement produced by cold or fear inside the body.” Each film involves a loosely formed, and yet highly symbolic, narrative that is concerned with myth, masonic rituals, the boundaries of the body and gender identity, movement and physicality, violence and sexual reproduction. All of these motifs are shrouded in hypnotically and intense visual imagery that increases in complexity and skill with each film.

The reason why I referred to my choice to watch the entire cycle in the space of a day as “foolish” is because the combined running time of the five films falls just under 400 minutes. If Luis Buñuel believed that going to the cinema is sometimes like being raped, then The Cremaster Cycle is a bit like being kidnapped and whisked off to a bizarre and chaotic world inhabited by satyrs and quasi-human creatures who proceed to torture you. I felt mentally exhausted, physically weak, had a splitting headache and didn’t know where to begin deciphering the hours of imagery that had forcibly entered my head.

That isn’t to say that The Cremaster Cycle isn’t worth viewing: Barney has produced an intricately constructed parallel universe that is as visually stunning as it is mystifying. Cremaster 5, in particular, stands out for its melancholic opulence that manages to cut through the bizarre symbols and incidences. For me, this part of the cycle was so beautifully stylised that I was too entranced by what I was seeing to worry about working out the subtext of the metaphors within every frame. Although Barney capably utilises intertexuality to broaden the scope of each film, he ultimately creates a space that is uniquely his own. My one tip for people who are keen to immerse themselves in Barney’s world is to do it one film at a time. Don’t make the same mistake I did.

Learn more and find further information on screenings through the official The Cremaster Cycle site.

January 27, 2011 / By

27, A Journey Through Architecture in Europe

Tietgen Dormitory

Darrell O'Donoghue

You may not be able to understand all the words that happen in this video (and props if you do) but the pace and tone, along with the few words I can understand, convey that this video previews an exciting survey of contemporary architecture across the 27 countries in Europe. The architects featured in the trailer are emerging voices in the profession, and lead firms that are doing exciting work. It’s exciting to see my old boss, Julien De Smedt in the mix.

Speaking of mix– it’s wonderful, and kind of shocking, as an American to visit Europe and see the contrast between new and old. Cities in the States are so much younger than cities in Europe and the European Public has a different attitude toward historic buildings. Pair these two together and you get a seasoned urban fabric that’s polka-dotted with bold and contemporary buildings like the one featured in the short preview, created by LAN Architecture and Fat Cat films.

The notion that buildings can communicate without actually speaking is called Architecture Parlante. Which is nice, but I hope that when this project is finished it has english subtitles.

Alex

Alex Dent

January 27, 2011 / By

100,000 Starlings Fill The Skies

100,000 Starlings Fill The Skies

100,000 Starlings Fill The Skies

Take a moment to think, can you imagine what a hundred thousand birds would look like flying through the sky? Personally, I wouldn’t know what to think. Maybe a ton of birds ramming into each other and crashing to the ground? Amazingly though, the answer is the patterns you see in the video above. I’m sure that I’ve seen photos of such a phenomenon but it’s exciting to see all of these starlings moving together in such chaotic unity. It’s almost surreal, like what you’re seeing shouldn’t be possible. Even so it’s a beautiful sight which I’m glad was captured. Do you think you can hear the roar of their wings as they pass by?

Bobby

Bobby Solomon

January 27, 2011 / By

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