Some of the most exquisite and modern uses of concrete have come from the Studio of Erwin Hauer. Hauer, an Austrian-born sculptor, began to install these light-diffusing screens in the 50′s, making the concrete forms by hand. His goal was, and is, to create “Continuity and potential infinity.” Today, his studio uses digitally-intensive processes that were adopted after a former student joined the studio. I agree with Anne-Mette Manelius (who blogs about concrete) that Hauers work has seen a revitalization of interest (as his firm shifts toward computer development). The newer screens use concrete less, but this has enabled a thinness and plasticity that may be better suited for his work. Above and below are photos from a tour of his studio from 2007 taken by Ajmal Aqtash, a founding partner of form-ula.