The space race was the greatest competition all time: two great nations pushing technological and scientific boundaries for galactic supremacy. Rooted in the necessity to achieve what no nation had yet to accomplish, science and mankind reached new heights. Tom Clohosy Cole’s concertina, Space Race, beautifully illustrates this push to the limits. The efforts of these two great Cold War super powers are detailed on opposing sides of a paper-made Iron Curtain narrating the notable achievements of spaceflight. The highlights of the USSR include Sputnik’s star streak across the autumn sky and Yuri Gagarin’s landmark orbital waltz around the home planet. On the opposing side, the achievements of the United States showcase the Apollo rocket boys. Cole’s concertina crescendos at quite probably the greatest single achievement in the space race – the Apollo-Soyuz Test Project. This event technically marks the end of the Space race between the two nations as the Soviet Soyuz and the Yankee Apollo crafts dock together–a cosmic handshake and sign of peace. From my own ethnocentric point of view, the space race narrative (as told here in the United States) ends with Armstrong & his boys’ dance on the moon. Yet in actuality the Test Project, commonly referred to statewide as Apollo 18, is truly the last dance of the great space race. Cole’s depiction in four colors boldly celebrates these adventuresome achievements. And unfurled, it paints a panorama of this time far grander than any Hasselblad shot brought back as a souvenir.