Lately I’ve been hearing a lot of great things about Upstream Color, a film that was written, directed, produced, stars, edited, and scored by Shane Caruth. I swear I’m not making any of that up. I purposely don’t know much about it, but I was able to find this interesting short description.
“A man and woman are drawn together, entangled in the life cycle of an ageless organism. Identity becomes an illusion as they struggle to assemble the loose fragments of wrecked lives.”
I’m a sucker for dramatic situations set in sci-fi-esque worlds and this is definitely up my alley. While I don’t want to know more about the plot, I did dabble in the films score. A mentioned earlier Caruth also created all the music for the film, which when you listen to it that seems quite impressive. I’m no expert on film scores, but this sounds like something that can stand toe-to-toe with anything Hans Zimmer has done recently.
The music has eerie, mechanical tones interlaced with deep resonating cellos. It’s both familiar with and undercurrent that’s alien and machine-like. It reminds me a bit of Takagi Masakatsu’s music, only with a more orchestral root to it. If you’re into soundtracks I think this is certainly one not to miss.