Antoni Gaudi’s Barcelona masterpiece Basílica i Temple Expiatori de la Sagrada Família has been under construction since 1882, and it’s not slated to be done until 2026, but that doesn’t mean we can’t have a sneak peek of what the completed church will look like when it’s finished.
I spotted this iOS 7 inspired business card over on Dribble this morning by Beasty Design and loved it. The new flat design certainly works for this sort of implementation, and honestly, I’m surprised it took someone this long to make an iOS 7 version.
The Killers have a new song, and it’s really pretty good. Those are words that I never thought I’d write ever again. The song is titled “Shot at the Night” and it certainly feels like a Killers track, I mean, Brandon Flowers voice is pretty iconic. But there’s a retro-tinge to the song, like what the soundtrack to Drive felt like. Old but new, fresh but familiar. The reason for this sound though is probably because of the production work of Anthony Gonzalez, the man behind M83. Once you know that little tidbit it’s hard to not hear his influence, kind of like how that new Arcade Fire song sounds like an LCD Soundsystem track (James Murphy produced it).
Back in the iOS 6 days (man, remember those days?, there were a few apps that might foreshadow what was to come in the fabled “flat” iOS 7 redesign. One of the most prevalent was a to-do list app called Clear. It was gorgeous – simple color gradients, bold typography, and dead obvious gestures that made the app a delight to use. In the context of the rest of the OS’s awkward linen textures and embossed buttons, Clear stood out as the indisputable way of the future.
So now that we’ve arrived at this less-skeumorphic landscape, how does Clear hold up? Better than ever. In fact, it didn’t take much to return the app to its lead among other iOS 7 redesigns. With the just released Clear+, the typography was lightened, a few UI elements were added, and iCloud syncing was introduced to support a new iPad version.
For those of you not in California, or the near season-less Southwest, fall is here or at least near. Time to trade in the summer neons for earth tones and consider some other seasonal design trends. I searched through the work of several foundries and designers for affordable options and pick out a few typefaces that I wouldn’t mind seeing good, legal use of this autumn.
There are so many typefaces from Lost Type suitable for fall but I tried to limited myself to just one (it didn’t work). For my first choice I settled on Homestead after debate with some of my type pals. Homestead, designed by Luke Lisi, is a hearty slab serif with a various texture options reminiscent of plaid flannel. The typeface also had a bit of a varsity feel without feeling too hokey, particularly in the M, making it a great font for football season and school-themed worked. While it’s only available in all caps, it also comes with an inline option, which makes it even more versatile. And if Lumberjacks had offices with nameplates, I am pretty sure they would be in Homestead.