“Opinions are like elbows, everybody’s got one or two.” I think this phrase to myself a lot. I find it applies especially well to the realm of design. And it’s certainly true when you’re talking about logo redesigns, the Internet’s favorite subject to shit on. I’ve certainly shared quite a few of my own opinions on the site, though in recent years I’ve tried to bring constructive criticism to my posts so I don’t add to the senseless noise. Last night I started to read about a new logo redesign for Olive Garden by Lipincott, which was generally being panned. Curious I took a look at what all the fuss was about… and honestly couldn’t figure out what all the fuss was about. And boy was there a lot of fuss.
I have to admit, Fez was a very frustrating game for me. It started out really fun but then it began to boggle my mind and I couldn’t figure out what to do. Still, it had a kick-ass soundtrack by Disasterpeace, a Berkeley based musician who really helped bring the game to life. I’ve been listening to the soundtrack a lot lately while I design/write, fitting perfectly into the background and not distracting me.
You can listen to the whole thing by clicking that little play button above, or if you have Rdio you can click here and listen to it.
Last year the acclaimed American photographer Steve McCurry was invited to the remote Omo Valley region of Southwest Ethiopia by a local charity called Omo Child. Set-up by Lale Lubuko and photographer John Rowe, the charity aims to provide a safe, nurturing home and quality education for children and infants who are considered by their tribe to be mingi.
You might know Ted Feighan, but most likely by the moniker he makes music under, which is Monster Rally. He makes referential music that sounds like a contemporary update to songs you might hear in a tiki bar. As it turns out Ted is also a talented collagist who makes his own album covers. To further show off his collage work he’s created this sweet little zine called Flower Arrangements Vol. 1, a crazy mixture of exotic flowers, wild animals, and ancient artifacts. The zine is 36 full color pages, an edition of 100, and their signed by the artist.
You can buy a copy for yourself by clicking here. More images from the zine below.
The Art Directors Club annual Portfolio Night is fast approaching—a “global portfolio and recruitment event” for young advertising creatives (or, in my experience, an evening of industry canoodling and general debauchery). The campaign surrounding this year’s event has aptly been titled “Blood, Sweat and Tears.” A theme any creative can no doubt relate to. 12 typographic executions have been created by 12 different designers, each reflecting a personal interpretation of the aforementioned phrase.