Jean Jullien, French illustrator who’s now located in New York, offers up his ideas for creative Halloween costumes. Not sure how you could ever go wrong with Bacon Mummy or Pumpkin Spice Latte. Jean is one of my favorite illustrators around because of his talented line-work and his clever, clever mind.
Dedicated to the analysis of film form, Every Frame a Painting is a fantastic series of video essays created by the filmmaker and editor Tony Zhou. As entertaining as they are insightful, his series of videos may well be one of my favorite discoveries on the internet.
Running for between 5 and 8 minutes, each video focuses on one filmmaker or one aspect of film form. While some people may feel that film form is quite a dull subject matter, Zhou’s essays are well and truly the opposite of this. They’re fun, engaging and informative.
Take for example texting and the internet in cinema. While we may be living in a digital age, film still seems to be somewhat ineffective in depicting this world on screen. In Zhou’s essay on the subject he presents us with how cinema has approached this conundrum and questions if a solution to their problem may lie not in its content, but in form. Check it out below and I’m sure you’ll see exactly what I’m talking about:
Other topics have ranged from Steven Spielberg’s use of the long take to Satoshi Kon’s unique editing style. I particularly enjoyed his examination into the work of Michael Bay. As one YouTube commenter put it “now I can hate his movies in a more intelligent way”. It’s a great analysis and well worth watching:
Perhaps Zhou’s most successful video to date has been his analysis of Edgar Wright’s approach to visual comedy. In his essay, Zhou looks at how the filmmaker consistently finds humor through framing, camera movement, editing, sound effects and music. Its a wonderful insight into how well designed Wrights films are, and Zhou does a fantastic job of articulating exactly how great Wright is as a director.
If you’re a fan of Tony’s work and you’d like to see his series continue you can support the project over on Patreon. If you’d like to see more from the series make sure to subscribe to his channel over on YouTube.
In the world of cool, young chocolatiers in the United States, only a handful of names will come to mind because those are the only chocolates you see in stores. You have your Brooklyn old schoolers Mast Brothers, cool, mini-makers Woodblock Chocolate, glorified toffee treaters Alma, and the real San Francisco treat TCHO. One of the most important (and somewhat under the radar) makers is Los Angeles’ Compartes, an undoubtedly luxe and incredibly hip brand that eschews artisanal annoyances for no-hype-all-flavor sweets.
The brand has big news, too: they very recently expanded from a Brentwood storefront, adding a Melrose Place cubby hole hidden from street view (and technically within coffee shop Alfred). It’s an interesting triangular space that is most befitting of a chocolate store. The goods are a limited selection that include a wall of Love Nuts, a display of chocolate bars, and a glass case of truffles. Yet, that is irrelevant: the shop is an exercise in brevity and beauty, a quick stop into considered foodie charm.
The design details make the space. The main attraction is a conflicting tiled floor consisting of a black rectangle and triangular brick arrow that leads from the truffle bar to a corner of chocolate bars. A tension (and an eyeline) is created that brings the small room together. A wall of Love Nuts is arranged in a seemingly infinite gradient, placing you in a delectable loop almost demanding your trying each flavor of nut. The counter wisely features a giant logo that doesn’t overpower the room, instead adding a sophistication equivalent of a boutique hotel. If you want to hang for a while, indulging, a small cactus lined seating area is available under a gorgeous white neon sign in brand founder Jonathan Grahm‘s handwriting which reads “Chocolate Is Art.” And, in Compartés case, it really is.
It was a wise move for Compartés to add another location, expanding from their sleepy Brentwood headquarters to a trendy, busy Melrose location. The area may have difficulty in maintaining an identity but the design of the space is so crisp and pristine that it will outlive most of its surroundings. Who doesn’t like chocolate, either? The new Compartés is definitely cause for celebration.
It’s important to keep a sense of perspective in your work and your life, and Gradiate’s 3 Rules For A Happy Designer are a few strong points we should all keep mind. For me, it’s his first point that really nails it.
1. It’s all bollocks and none of it really matters. Yes really. That stress about the thing that went really wrong, your burning desire to make this your best design ever that in turn makes you miserable, the argument about the late print, graphic design, none of this is what really really matters in life. Release yourself from that stress. No one is dying. It’s pixels, type and colour. Work hard, but enjoy it and relax.
You can read the other two points by clicking here.
I’ve been a long time fan of Finnish artist Kustaa Saksi and his organic-feeling, nature inspired work. It’s been fascinating to see the evolution he’s taken over the years, though his most recent work may just be some of my very favorite – a collaboration with the legendary Marimekko.
Finnish artist Kustaa Saksi makes his Marimekko debut in the collection with the fascinating Merivuokko (sea anemone) and Meriheinä (sea grass) prints that are seen as fabric, home textiles and tableware. The prints were inspired by the rhythm, colours and atmosphere of the sea floor that he has experienced during his scuba diving trips. The Merivuokko pattern depicts the depth and abstract, clear forms of the sea and details of its flora and fauna. The free, swaying vegetation of the sea floor and its organized chaos, on the other hand, gave rise to the light, ethereal and moving Meriheinä print.
I love the range that his work has hit, going from homewares to fashion. It shows the versatility of his creativity and how these unique patterns can be used for some many fascinating applications. I don’t think the collection is out quite yet, so the trick is figuring out how to get one of those pillows below…
I’m a big fan of high tops, but I’ve never been a Chuck Taylor kind of guy. There’s nothing wrong with a good pair of Chuck’s, they’re probably the most iconic American shoe around, they simply haven’t been my style. That said, there’s an exception to every rule, and these new 1970 HI ‘Woven Textile’ sneakers caught my attention immediately.
I love the loose knit, multi-colored, chunky yarn that envelopes the shoe. It’s an effect that could really go wrong or look quite tacky. It was smart for the designers to go with more muted yarns and only blending in a subtle bit of color, which pairs quite well with the vegetable tanned leather, creating an overall sophisticated, bohemian touch.
They’re not for everyone, and that’s why they’re so great. You can grab a pair for yourself (they’re unisex!) over on Bows & Arrows.
Last week Bobby posted some truly fantastic looping illustrations from the American designer and illustrator Drew Tryndall. I loved them, and they’re bright colors and simple shapes kind of reminded me of this great work by the Canadian artist Matthew Feyld.
Made up of strong blocks of color and bold but beautiful shapes, there’s a naive simplicity to Feyld’s paintings which just works. Whether viewed on their own or viewed as a set, there’s something so perfectly direct about these paintings that I can’t help but love them.
In an interview with Little Paper Planes, Feyld discussed the inspiration behind the shapes and forms he uses in his work:
Some of them started as human figures, or day to day objects that over time have been stripped down and become less and less figurative. Others have come from excessive doodling. I’m interested in the relationships between shapes. And the spaces that those shapes inhabit. And the even smaller spaces between those shapes.
If you’re a fan of nice shapes, then I fully recommend you check out more work from Feyld.
You can view more work from Matthew Feyld on his website.
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