The conceit is simple: Bring seven second graders to Daniel, a two Michelin star New York restaurant (it recently lost a star) to enjoy a seven-course meal valued at $220 a person. The result is a charming, honest look at food, taste, and the pleasures of eating. You can;t help but smile as these children give their genuinely honest critiques of each meal, in a way that only a child can do.
I appreciate head chef Daniel Boulud’s take on the endeavor, and his commitment to serving the food as it is, saying, “Children crave food they can identify. The seasoning has to be mild in a way, and simple. Here, we did it the real way.”
In the last 20 years, there’s no other designer who’s pushed the boundaries of industrial design than Jonathan Ive. His work at Apple has proven that considered design choices are critical to a successful product, as seen by a radical shift in the world toward design-focused first mindset. A few days ago Vanity Fair published the video interview of Jonathan Ive’s talk with Vanity Fair’s EIC Graydon Carter from their recent New Establishment Summit.
The interview is essential in my eyes, with topics covered like worries and joys of being Jony Ive, being a part of a creative team, the birth of a physical object, the seduction of “cool” features, that copying Apple’s designs is theft, and much, much more. My favorite line in the talk is one similar to what he said in the recent Vogue article about him, where he says, “Isn’t that curious? Because if you tasted some food that you didn’t think tasted right, you would assume that the food was wrong. But for some reason, it’s part of the human condition that if we struggle to use something, we assume that the problem resides with us.”
North Carolina based branding designer Matt Stevens stumbled into a really fun person project recently, creating a series of “Design Gangs” which mixes “personal experience, a fascination with our shared design language/experiences, and a healthy dose of wanting to try some new techniques.” I’ve been watching his progress over on his Dribbble and it’s been rad to see him slowly grow and discover what the series is about.
If I had the choice I’d definitely be a member of the Revision Killers.
There are two clear front runners for most important visual storytelling method: the emoji and the GIF. In the case of the latter it’s becomes increasingly interesting to see how people are experimenting with the media of short, looping animations. One of the most impressive artists I’ve come across lately is designer and illustrator Drew Tyndall, a Nashville resident who has created some impressive looking GIFs that are reminiscent of Sol Lewitt mashed with Piet Mondrian. His ability to create such fluidity and texture in each of these is mighty impressive, and his color choices are absolutely spot on.
You can see more of his looping illustrations in his portfolio.
When you’re a guy like Nicholas Krgovich you’ve had a very interesting career. He made a name for himself with acts like P:iano and No Kids (who I put on this mixtape 5 years ago), though for me it was his appearance on Casiotone for the Painfully Alone’s track “Old Panda Days” that really sold me.
Now he’s back with a new solo record On Sunset which I’ve had on repeat for the past week. It’s a record about Los Angeles which in many ways sounds like Los Angeles and that numerous musical styles that have come from here. If I had to sum up the sound the record in one sentence I’d say it sounds like Jens Lekman tinged with R&B and the lyrical structure of 90s gangsta rap. Sounds crazy right? If you listen to Let’s Take The Car Out, the fifth track on the album, you’ll hear a distinct 90s way of presenting the lyrics yet it’s backed by elegant strings and a graceful piano.
I’m surprised that no one has picked up on this album yet, it might be the dark horse of 2014, but it’s certainly going to be in my top favorites.
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Striking out and doing what you truly love is never an easy decision, though it can lead to true happiness. That’s the case with James Chororos, a New York photographer who left his position as an architect with Studio Daniel Libeskind to concentrate on photography full-time. This proved to be a smart move as evidenced by the incredibly rich work that James put online.
His finest photos can be found under his portrait section. He’s captured an incredibly diverse range of people in such interesting places, all of which draw you in and make you want to know more. I hope to see James’ work showing up in more places soon.
It’s always fun visiting with old friends. That’s today’s vibe as we feature a new wallpaper from Andy J. Miller, who back in 2008 was one of our very first wallpaper contributors. He’s a beast of illustration and design, combining a charming, folksy aesthetic with crazy shapes and great hand-done type.
This wallpaper is titled I Hate Parties, which is about “that dreadful feeling when for one reason or another, you clam up at a social gathering of some sort, and just sit back and detach yourself from the situation and those around you.” I think we’ve all been that person at a party before so it’s easy to relate to this. Plus this is just a downright beautiful piece of art, I mean, look at all those great characters. Thanks again Andy, glad to have you back on the site.