When Good Design Means Bad Business… Or Does It?

Facebook Redesign

When we design for the web, we’re usually optimizing. I find it’s rare that we’re genuinely breaking new ground, that usually happens when we apply design to new realms, such as apps or Car UI or video game ecosystems. Recently, there was a post by Dustin Curtis who pointed out that Facebook killed a redesign because it was performing poorly… from a monetization standpoint.

After an investigation into the problem by Facebook’s data team, they discovered that the new News Feed was performing too well. It was performing so well from a design standpoint that users no longer felt the need to browse areas outside of the News Feed as often, so they were spending less time on the site. Unfortunately, this change in user behavior led to fewer advertisement impressions, which led, ultimately, to less revenue.

From a design standpoint I think the redesign (above) is really well done (though the left sidebar makes me a little stressed out). There’s a clear hierarchy, the content is easy to read, and there’s clear paths to all of the things you visit. It makes sense to head down this path as the idea of a feed can only get so simple. The fact that Facebook moved away from this direction because people circulated around the site less is an interesting problem, as Dustin points out in his piece. From a human standpoint they achieved their goal, that the stream of content had everything a person was looking for. Unfortunately, money talks more than usability, and in this case we end up with the sad, cluttered, confusing design below, which is rolling out as I write this.

Anyone else have similar stories they can share? Any stories of a company taking a financial knowing it made for a better human experience?

[Update] Julie Zhou, Product design director at Facebook, disagrees with Curtis’ assessment in a Medium post you can read here. Summed up, Julie points out that the experience, though beautiful on big designer-y Apple monitors looked great, the majority of Facebook’s users have older devices with smaller screens.

It turns out, while I (and maybe you as well) have sharp, stunning super high-resolution 27-inch monitors, many more people in the world do not. Low-res, small screens are more common across the world than hi-res Apple or Dell monitors. And the old design we tested didn’t work very well on a 10-inch Netbook. A single story might not even fit on the viewport. Not to mention, many people who access the website every day only use Facebook through their PC—no mobile phones or tablets.

I also updated the screenshot below which is from Julie’s post, showing what the design should look like. It’s certainly clean in it’s approach but to me the colors overall reminds me of Windows 95. I suppose you could say their tack is about designing for the majority, not for the minority who obsess over aesthetics.

Facebook Redesign

Bobby Solomon

March 31, 2014 / By

The Desktop Wallpaper Project featuring Dan Christofferson

The Desktop Wallpaper Project featuring Dan Christofferson

Dan Christofferson

Dan Christofferson is an illustrator, painter, and designer from Salt Lake City who also goes by the name Beeteeth (which I think is pretty rad). He creates these really detailed illustrations and designs drawing on “cryptic symbols from early Utah and Mormon history to illustrate stories of exile, industry, and the parched, sunburnt west.” Badass.

His wallpaper is this beautiful bunch of bones and flowers intermingled with the phrase, “All of my bones are broken.” The combination is both morose yet beautiful, and in practical terms works great as a wallpaper (I’m currently using it). Thanks Dan!

Bobby Solomon

March 27, 2014 / By

Upside Down, Left To Right: A Letterpress Film

Upside Down, Left To Right: A Letterpress Film

Danny Cooke has a series of documentaries he’s been working on, and this one about letterpress is my personal favorite. It’s a short film featuring one of the few remaining movable-type printing workshops in the UK, situated at Plymouth University. It features printer Paul Collier as he goes through the motions (but not in a bad way!) of printing out some rather beautiful pieces. Be sure to watch till the end for the credits, which are all letterpressed.

Bobby Solomon

March 27, 2014 / By

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Bobby Solomon

March 26, 2014 / By

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