Illusion. Reflection. Vulnerability. These are the things I see when I look at God’s Mirror, a photo series by Maria Svarbova. The images are dreamy and surreal with nude figures floating amongst a dark and cloudy sky. Yet there’s something off with each of the figures. Look closely and you’ll see that each person has an extra limb or a reflect face which distorts the body. Maria claims the effect isn’t done in Photoshop so whatever technique she’s deployed here is quite impressive.
Of all the images my favorite has to be the one at top with the man and mirror. Love how surreal it looks. Almost looks like it could be a painting, not a photo.
All of Maria’s photos are quite impressive, I suggest you take the time to go through all of her series on her Behance page.
I have some very strong opinions about the very strong opinions of Erik Spiekermann. To me he comes off as a cranky old man most of the time but he certainly deserves credit for his long-standing work as a typographer and designer. Recently, he wrote on his blog about the importance of details and how he refuses to be “classified as weird and unusual” because of his obsession.
Every craft requires attention to detail. Whether you’re building a bicycle, an engine, a table, a song, a typeface or a page: the details are not the details, they make the design. Concepts don’t have to be pixel-perfect, and even the fussiest project starts with a rough sketch. But building something that will be used by other people, be they drivers, riders, readers, listeners – users everywhere, it needs to be built as well as can be. Unless you are obsessed by what you’re doing, you will not be doing it well enough.
I think Mr. Spiekermann really nails it with this statement. My design-focused brain can’t help but obsess over the details. The nuances of the object you’re designing is what gives it character. The importance of details holds true for things like objects, old or new. When you pick up an iPhone you see the subtle detailing that makes it feel special. Or with older objects you can experience the wabi-sabi of it, the wear and patina that gives it an exceptional quality.
Be sure to read Erik’s full post by clicking here.
Historically champagne has been known as a symbol of wealth and opulence. In the 17th century the champagne coupe was invented, elevating the act of drinking champagne, which became in fashion in the 1930s. Cut to 2014 and the coupe is getting a titillating new form in the shape of Kate Moss’ left breast. Yes, you read that correctly. 34, a restaurant located in the Mayfair area of London, has teamed up with artist Jane McAdam Freud to create the coupe, which is decorated with an art-deco pattern, and of course, Kate Moss’ signature.
There’s something entirely ridiculous about this concept that I love. From a press angle view point I’ve seen the story told that the coupe was originally shaped from Marie Antoinette’s breast, though that’s entirely untrue. Still, the extravagance of drinking champagne from a super model’s breast is too funny not to share. Is this the start of a new trend in sex organ shaped drinking vessels?
It’s hard to accurately describe love. It’s messy. It’s confusing. It’s a frenzy of emotions that can wash over you in an instant. Japanese director Masanobu Hiraoka, along with Barcelona based composer Aimar Molero, have together created a short film which captures all of those feelings in an orgy of colors and sexual innuendo. The combination of the frenetic images paired with the serene music is an interesting juxtaposition that feels wet and aqueous. You can’t help but be sucked into this.
Mise-en-place is a French phrase which means “putting in place”, as in set up. For many chefs this phrase is not only a helpful saying, it’s a motto to live ones life by. Dan Charnas recently did a great piece on mise-en-place where he spoke to chefs about the practice and how it affects their time in the kitchen as well as their personal lives.
“It starts with your list,” says Wylie Dufresne, the James Beard award-winning chef and owner of New York restaurants wd~50 and Alder.
“What I used to do is, let’s say I had 23 items of mise-en-place I had to do every day. So I’d take a pad and I’d write them all down on the way home. And then I would crumple the list up and throw it out,” he says. “On my way to work I’d write the list again. And you become one with your list. You and the list are the same, because the list is scorched into your head.”
After I heard this story I couldn’t help but equate the practice to design. I’ve started to write more lists, I’ve created an editorial calendar to keep track of posts, I try to keep my desktop and worktop clean and organized. There’s something enjoyable to me about the regiment of mise-en-place, the commitment to your craft.
Bees are an important of our ecosystem, so why wouldn’t we create special places for them to live in our cities? That’s the course architecture and design firm Snøhetta has taken, creating a honeycomb inspired dwelling that sits atop the Vulkan Bigård project at Mathallen.
Having two intersecting hexagonal volumes to create the form, which were then adjusted in height and width to fit with the needs of the beekeeper. Using a light colored wood with a finish that is honey in tone was also a relationship that we wanted to create and present.
Unfortunately there are no photos of the inside quite yet, I’m guessing because the bees need some time to do their work. Still, it’s nice to see the idea of the beehive transformed into something more eye-catching, and hopefully, getting people to think more about bees and their relationship with us and nature.
“Put it on as the sun goes down.” That’s the way Deru describes his newest mix which contains a number of unique tracks. Overall the mix is really laid back and mysterious feeling. There’s a lot of ambience to it and you’re never sure where it’s headed. My favorite part is The Acid transitioning into Philip Glass’ “Mishima” score. A mellow way to get the week started out.
00:00 – Random record samples #1
00:48 – Holger Czukay – Floatspace
03:46 – The Haxan Cloak – Excavation, Pt. 2
07:15 – Jacaszek – Dare-gale
12:25 – Kyson – You May Have Limited Time
17:18 – Random record samples #2
18:08 – The Acid – Veda
23:00 – Glass & Nyman: Works for Saxophone Quartet – String Quartet No. 3, “Mishima”
24:13 – Drew Gragg – Refraction
26:36 – Julien Neto – Sketch
29:59 – Random record samples #3
31:15 – Alessandro Cortini – Rovine
38:15 – Deru – The Future Never Comes
42:12 – Downliners Sekt – Soul Débris
50:18 – Random record samples #4
53:15 – Alex Banks – All You Could Do (Alternate Version)
57:00 – Mirroring – Fell Sound
1:02:11 – William Basinski – Dlp 1.1
Everclear, an alcohol bottled the American spirits company Luxco, is renowned for it’s deadly alcohol content, 95%, which is basically ethanol, which is commonly mixed with gasoline. University of Wisconsin-Stout student Toni Hall thought that a sexier, less deadly version, might be good for the market, so she created this lovely bottle for her fictional brand, Neverclear.
A part of her design of the bottle was to simulate the feeling of being intoxicated. To this end she chose a bottle with a diamond shape and printed moire patterns on the back label. The combination then creates a warping effect that’s something akin to knocking a few too many back. A really clever way of utilizing graphics to illustrate a concept.
My only issue is with the logo on the bottle which doesn’t read clearly as Neverclear. It might have been more successful if the A in Clear didn’t have it’s cross bar, this allowing Never to read more clearly. Otherwise I know this bottle would absolutely jump out to me on the shelf, even though I hate vodka.