Charlotte based artist and designer Eric Hurtgen creates work that utilizes detail and nuance at it’s core. Abstract imagery is distorted and manipulated to create fascinating pieces which require time to truly appreciate. This week he’s shared a wallpaper with us that bends my mind.
This piece is part of a bigger series I’ve been working on that blurs the line between photography, sculpture and digital art. I’m drawn to the effects of light on surfaces and playing with the perception of those surfaces as I layer images and reflections of images on top of each other. I have quite a few influences from a variety of artists and photographers and designers, but when I think about the main ones I’d say photographers Robert Adams and Henriette Grindat; the artist Gabriel Orozco and the designers Barbara Worjisch and Vaughn Oliver.
I usually listen to music while I work, but I tend to put on albums with limited or no words, it’s easier to write that way. A lot of the time my go-to record is Solo Piano II by Chilly Gonzales. Released in 2012 the album is piano filled masterpiece that feels like an old silent film. There’s one track in particular though that stands out each time I hear and it’s called “Rideaux Lunaires”, the fifth track on the album.
There’s something magical about this piece that makes me think of the films of Miyazaki and the sense of wonder he achieves. At about the 1 minute mark there’s a beautiful refrain which makes you feel like you’re being carried away into the night sky.
If you’ve never heard this album before I highly suggest taking a listen, you definitely won’t be disappointed.
Illusion. Reflection. Vulnerability. These are the things I see when I look at God’s Mirror, a photo series by Maria Svarbova. The images are dreamy and surreal with nude figures floating amongst a dark and cloudy sky. Yet there’s something off with each of the figures. Look closely and you’ll see that each person has an extra limb or a reflect face which distorts the body. Maria claims the effect isn’t done in Photoshop so whatever technique she’s deployed here is quite impressive.
Of all the images my favorite has to be the one at top with the man and mirror. Love how surreal it looks. Almost looks like it could be a painting, not a photo.
All of Maria’s photos are quite impressive, I suggest you take the time to go through all of her series on her Behance page.
I have some very strong opinions about the very strong opinions of Erik Spiekermann. To me he comes off as a cranky old man most of the time but he certainly deserves credit for his long-standing work as a typographer and designer. Recently, he wrote on his blog about the importance of details and how he refuses to be “classified as weird and unusual” because of his obsession.
Every craft requires attention to detail. Whether you’re building a bicycle, an engine, a table, a song, a typeface or a page: the details are not the details, they make the design. Concepts don’t have to be pixel-perfect, and even the fussiest project starts with a rough sketch. But building something that will be used by other people, be they drivers, riders, readers, listeners – users everywhere, it needs to be built as well as can be. Unless you are obsessed by what you’re doing, you will not be doing it well enough.
I think Mr. Spiekermann really nails it with this statement. My design-focused brain can’t help but obsess over the details. The nuances of the object you’re designing is what gives it character. The importance of details holds true for things like objects, old or new. When you pick up an iPhone you see the subtle detailing that makes it feel special. Or with older objects you can experience the wabi-sabi of it, the wear and patina that gives it an exceptional quality.
Be sure to read Erik’s full post by clicking here.
Historically champagne has been known as a symbol of wealth and opulence. In the 17th century the champagne coupe was invented, elevating the act of drinking champagne, which became in fashion in the 1930s. Cut to 2014 and the coupe is getting a titillating new form in the shape of Kate Moss’ left breast. Yes, you read that correctly. 34, a restaurant located in the Mayfair area of London, has teamed up with artist Jane McAdam Freud to create the coupe, which is decorated with an art-deco pattern, and of course, Kate Moss’ signature.
There’s something entirely ridiculous about this concept that I love. From a press angle view point I’ve seen the story told that the coupe was originally shaped from Marie Antoinette’s breast, though that’s entirely untrue. Still, the extravagance of drinking champagne from a super model’s breast is too funny not to share. Is this the start of a new trend in sex organ shaped drinking vessels?
It’s hard to accurately describe love. It’s messy. It’s confusing. It’s a frenzy of emotions that can wash over you in an instant. Japanese director Masanobu Hiraoka, along with Barcelona based composer Aimar Molero, have together created a short film which captures all of those feelings in an orgy of colors and sexual innuendo. The combination of the frenetic images paired with the serene music is an interesting juxtaposition that feels wet and aqueous. You can’t help but be sucked into this.
Mise-en-place is a French phrase which means “putting in place”, as in set up. For many chefs this phrase is not only a helpful saying, it’s a motto to live ones life by. Dan Charnas recently did a great piece on mise-en-place where he spoke to chefs about the practice and how it affects their time in the kitchen as well as their personal lives.
“It starts with your list,” says Wylie Dufresne, the James Beard award-winning chef and owner of New York restaurants wd~50 and Alder.
“What I used to do is, let’s say I had 23 items of mise-en-place I had to do every day. So I’d take a pad and I’d write them all down on the way home. And then I would crumple the list up and throw it out,” he says. “On my way to work I’d write the list again. And you become one with your list. You and the list are the same, because the list is scorched into your head.”
After I heard this story I couldn’t help but equate the practice to design. I’ve started to write more lists, I’ve created an editorial calendar to keep track of posts, I try to keep my desktop and worktop clean and organized. There’s something enjoyable to me about the regiment of mise-en-place, the commitment to your craft.
Bees are an important of our ecosystem, so why wouldn’t we create special places for them to live in our cities? That’s the course architecture and design firm Snøhetta has taken, creating a honeycomb inspired dwelling that sits atop the Vulkan Bigård project at Mathallen.
Having two intersecting hexagonal volumes to create the form, which were then adjusted in height and width to fit with the needs of the beekeeper. Using a light colored wood with a finish that is honey in tone was also a relationship that we wanted to create and present.
Unfortunately there are no photos of the inside quite yet, I’m guessing because the bees need some time to do their work. Still, it’s nice to see the idea of the beehive transformed into something more eye-catching, and hopefully, getting people to think more about bees and their relationship with us and nature.