I’m a big fan of Christoph Niemann. His Abstract Sunday blog on The New York Times is always a great read and his Petting Zoo app might just be one of the most entertaining apps around. I was checking out his site the other day when I discovered these excellent prints of the Brooklyn Bridge and Eiffel Tower.
Like all of Christoph’s work, these illustrations are so effortlessly simple and so perfectly made. The idea is so much fun and the execution just nails it! Produced as a 3 color sikscreen, both images are available to buy through his website. The Brooklyn Bridge image comes in three different colors (though yellow is already sold). I’d love to see this continue as a series; who knows what other monuments could get woven together?
You can see more work from Christoph Niemann on his website. The scope and range of his work is fantastic so please do make the effort to check it out!
Artist Daniel Heidkamp currently has a new solo show on at White Columns in New York and I just love the colors in his work. A native of New York, Heidkamp’s exhibition consists of recent oil paintings that depict the city’s Metropolitan Museum of Art as seen from the grounds of Central Park. Bursting with brightly colored foliage and trees, Heidkamp’s work really captures the beauty of the area.
The majority of the work was painted on location and Heidkamp’s work gets the energy of these scenes just right. “When painting en plein air I feel the atmosphere on my skin” Heidkamp says, “[...] there is an adrenaline feeling that happens while working ‘live’ and that energy can translate directly into the painting”.
While many of his contemporaries may explore far-less traditional methods of art-making, I feel there’s something special in Heidkamp’s interrogation and exploration of representational painting. Following in the footprints of people like Hopper, Hockney, and Doig; Heidkamp’s focus on ordinary and everyday scenes is as engaging as it is compelling.
His exhibition in New York’s White Columns show runs until July 25th. More work and further exhibition dates can be viewed on his website.
Currently it’s degree show season here in London so I’m making the most of my time by visiting as many shows as I can. The other week I hit up the prestigious Royal College of Art to take a look at what their students have been up to and I was really impressed by the talent on display. My personal favorite was the work of David Herdberg; a graduate of the college’s Information Experience Design course.
For his major project David designed a TV, which, on first impressions, looks fairly innocuous. “It may have poor reception”, I thought to myself, “but its wooden legs look nice and they work well with its white plastic casing”. It wasn’t until I sat down in front of the set that I noticed a small label which read “SMILE TO WATCH”. Being a typically obedient gallery-goer I kindly obeyed and forced the muscles of my face to form the requested smile. Suddenly the signal shot quickly into clarity. My face – still proudly wearing its solicited expression – was repaid with a montage of surreal clips played out on the screen. As I continued to watch my face began to relax back to its typical scowl and, as my faux-cheery demeanor faded, so too did the television’s reception.
For David, the work examines how our society has the ability to access endless amounts of content. He notes that, in the past, a TV’s reception relied on an antenna to work. What this TV does is play with that idea. It is a set that must rely on the receptive nature of the viewer to function. “By expressing that we like something, we have very much become antennas ourselves – transmitting the content on to somebody else” he says. By combining a set from the last-decade with modern facial recognition technology, the piece asks us to re-consider how we engage with content and how we access it. It’s a fantastic idea and David’s execution is simply top-notch!
You can see more from David Hedberg on his website.
I hadn’t heard of Jeff VanderMeer’s Southern Reach trilogy before but these illustrations by Patryk Mogilnicki have me intrigued to find out more. The images come from the Polish edition of Annihilation – the first book in the trilogy – with illustrations for Authority and Acceptance to follow in June and September.
Patryk is a Polish illustrator and graphic designer based in Warsaw. Besides working with an impressive list of clients in his native country, Patryk also has worked on a number of great independent projects including zines, comics, posters and CDs.
Personally I love this series of illustrations. The limited colors are great and they really hint at the mood of the books. I can’t wait to see how the next two turn out. You can keep up-to-date on Patryk’s work by visiting his website here.
I’m a big fan of sketching. It’s not something that I’m particularly good at, but I do enjoy the process of it and and it’s something I keep telling myself I should do more often. I like the sitting, studying and translating the world into lines and I love the challenge of trying to capture the essence of a place with nothing more than a series of well considered gestures with a pencil. It was through my love of drawing that I discovered the work of Gérard Michel.
Gérard is an architect from Belgium who also teaches courses in sketching and drawing at the school of architecture in his hometown of Liége. A fan of urban sketching, much of his works focus on architecture and he says that every one of his pieces is drawn freehand and on-site. With a Flickr account consisting of nearly five thousand drawings, that’s pretty impressive stuff!
Last year he released a book of his sketches of Liége which I hear you can find in the bookshops of Beligium. I can’t think of a better souvenir to come home with from a trip abroad! Frequently Gérard’s work can be found on the Urban Sketcher’s blog where you’ll also find many more budding artists and sketchers. A video of Gérard in action can be found here, while more images can be viewed on his Flickr account.
Have you ever grazed a flock of montivagant sheep? Perhaps you’ve once received a recumbentibus of righteous indignation? Maybe you were once the recipient of a glare so angry that it left you completely gorgonized? … No? … Not sure? … Don’t worry! I didn’t know the meaning to any of these words either until I discovered this wonderful A-Z of Unusual Words by Irish graphic-arts duo The Project Twins.
Combining bold graphics with visual wit the series explores the meaning behind 26 words. Starting at “A” (Acersecomic – A person whose hair has never been cut) and heading all the way to “Z” (Zugzwang – A position in which any decision or move will result in problem) the series is bound to offer a few new words to add to you’re vocabulary while also putting a smile on your face.
The Project Twins are James and Michael Fitzgerald and they recently launched a new website. It’s full of both personal and commercial projects that range from large scale art pieces to great design and illustration projects.
Prints from this series are available from their online shop.
I didn’t think I’d be posting about dolls’ house this week on The Fox Is Black but I really couldn’t pass up an opportunity to share these delightful creations by Polish company Miniio. Inspired by the Bauhaus and Brazilian architect Marcio Kogan; Miniio’s creations feel like a breath of fresh air in a world of flashy, plastic toys and garish pink dolls’ houses.
These designs brush aside the cliched gender stereotypes so often seen in the world of toys and instead focus on producing beautifully crafted models and smartly thought out designs.
The project is the brainchild of two mums from Warsaw who like to take play seriously. They seek inspiration in the best grown-up designs, materials and solutions and then they make it smaller. Everything they do is finished by hand and the results are terrific. If you’re a hip parent I can imagine this is something you’d love to have in your kids playroom!
More information on Miniio and their modernist designer furniture and dolls’ houses can be found on their website.
Dogboy is the name that London-based illustrator Philip Huntington works under. I’ve been loving his illustrations ever since I saw one of them on the cover of a flyer for a late-night opening at London’s V&A (above). While his bio is quick to point out that his work process “does not involve experimentation with mind-altering substances”, it’s clear to see that the language of psychedelia has clearly made a way into the crazy alternative reality he creates.
DogBoy frequently works on personal projects and produces work for independent magazines. If you like what you see here make sure to head over to his site and see some more of his work.