“Who hasn’t dreamt, at some point, of filling a pool full of jello and swimming in it?” the description for the game The Floor Is Jelly asks. While I’ve never had that thought, it does seem interesting: what if the world was made out of a more malleable or differently consistent material, something that was softer or bouncier or slippery or some other property? The Floor Is Jelly is a game that plays with this idea providing an entire mini-universe for you to jump around and explore as you solve various puzzles.
PANES are a fairly new London based band that there isn’t much known about yet. But! They must be pretty good if they’ve been able to tap fellow Brit and PAN label dude Lee Gamble for a remix. Gamble is of the current crop of electronic experimenters who are doing fantastic things with sound that bend in both the very abstract and rhythmic directions. 2013′s Dutch Tvashar Plumes is an excellent example of this. His work with PANES sees their otherwise Bass-y, trippy London pop sound scaled back to its bare ghostly center. That means in a very Gamble way removing the original’s vocals, all dynamism, and leaving the song as a minimized hum.
Juliana Futter is a London based illustrator whose work is a bit difficult to describe. The style is understandable as they are colorful and often rippling images you may see in yourself, in your home, or in history. The subjects are a bit difficult to articulate as she doesn’t necessarily work on “just one thing.” She isn’t obsessed with a small animal or certain type of food but instead mashes together the the body with life, specifically from Classic eras.
Sharon Louden is a well respected and very talented artist who does a bit of everything. She’s taught at several universities over the past twenty years and has shown all over the world. Most recently, she’s edited a book of essays about artists making and living called Living and Sustaining A Creative Life. Through forty essays from forty different artists, you get a look at how creatives work and how they are able to propel themselves forward within often amorphous creative fields. It’s a very real, very honest peek into the world of artists.
This relationship to other artists and their practices has also found its way into her work. While she has been busy book touring and getting the project off the ground, she also created a body of work called Community. The works are made from oil and enamel and feature strings of color in very patient settings that easily could be left at being studies of shape. They aren’t, though: they are symbols of all the work she has been doing, explained visually.
Street style photographer Bill Cunningham is a national treasure. He’s an American institution and a style icon in his own right: he deserves to be knighted by Barack Obama for being a beacon of creative inspiration and hope in America. The popular and wildly successful documentary Bill Cunningham New York illustrated his greatness to wider audiences and he certainly has a cult status in and out of the fashion world. To celebrate the photographer and the frenzy of Fashion Week in New York, New York Magazine‘s The Cut tasked eight illustrators with creating homages to Bill. They are sweet dedications from talented adorers that make him look his best and exude his perpetual positivity and quirkiness.