You probably wouldn’t guess this from the title but Rimon Guimarães is a young self-taught artist. He is from Brazil and only twenty-five years old: for such a young man, it’s somewhat hard to believe that he has a very developed, very wide reaching hand in street art. Guimarães creates giant, building covering paintings of almond eyed people who are colorful and lanky, shapely and physically active. They are made out of stripes of color and often are studies in human form.
Not sure if people would agree but tie-dye feels like it’s back in. This isn’t the traditional entry that is for and by hippies but is instead new takes on dye born out of the resurge in popularity of indigo. Thus, the style is back but in through new, experimental ways.
London based artist and “fashion designer” Craig Green obviously feels this way as his Spring/Summer 2014 show is a collection of works that incorporate his “subdued” past of blacks and whites and smothering covers into new takes on dying. He has taken his own aesthetic, put it through a self-referential dye process, and ended up with the new collection.
Thug Entrancer (AKA Ryan McRyhew) is Software‘s latest effort to rethink or change the electronic music landscape. They are releasing the debut of the Chicago-by-way-of-Denver musician’s Death After Life on February 11, a serious dance record intended to experiment and meditate on the TR-808. What’s interesting about the release is it’s clever monotony: it features eight songs called “Death After Life” along with bonus cuts “Ready To Live,” a two part song. All the sounds are coming out of the same pool of 808s but feel particularly polished and new, perhaps what the new life being suggested in the title is.
It’s a little difficult to explain the work of Dyami O’Brien. The artist paints warped portraits of people that exaggerate their physical characteristics while also addressing their personal style. They’re inspired by everything from soul records to Facebook pages, something we discovered while researching his work previously for Los Angeles, I’m Yours. If anything, O’Brien is an artist doing something totally unique.
Skyler Brickley is a New York based artist who basically makes what looks like destroyed hoods from brightly colored cars from the future. He twists and punches through sheets of supposed metal that could be shipped off to a space junk yard. They are big and fascinating and definitely give you the feeling that his pieces are part of something larger. Maybe a Transformer molted, leaving behind this rippling sheet? No, not really: they’re actually made out of polyethylene terephthalate or FRP, complicated and sturdy plastics that—when painted with automotive paint—appear to be twisted metal.