Street style photographer Bill Cunningham is a national treasure. He’s an American institution and a style icon in his own right: he deserves to be knighted by Barack Obama for being a beacon of creative inspiration and hope in America. The popular and wildly successful documentary Bill Cunningham New York illustrated his greatness to wider audiences and he certainly has a cult status in and out of the fashion world. To celebrate the photographer and the frenzy of Fashion Week in New York, New York Magazine‘s The Cut tasked eight illustrators with creating homages to Bill. They are sweet dedications from talented adorers that make him look his best and exude his perpetual positivity and quirkiness.
You probably wouldn’t guess this from the title but Rimon Guimarães is a young self-taught artist. He is from Brazil and only twenty-five years old: for such a young man, it’s somewhat hard to believe that he has a very developed, very wide reaching hand in street art. Guimarães creates giant, building covering paintings of almond eyed people who are colorful and lanky, shapely and physically active. They are made out of stripes of color and often are studies in human form.
Not sure if people would agree but tie-dye feels like it’s back in. This isn’t the traditional entry that is for and by hippies but is instead new takes on dye born out of the resurge in popularity of indigo. Thus, the style is back but in through new, experimental ways.
London based artist and “fashion designer” Craig Green obviously feels this way as his Spring/Summer 2014 show is a collection of works that incorporate his “subdued” past of blacks and whites and smothering covers into new takes on dying. He has taken his own aesthetic, put it through a self-referential dye process, and ended up with the new collection.
Thug Entrancer (AKA Ryan McRyhew) is Software‘s latest effort to rethink or change the electronic music landscape. They are releasing the debut of the Chicago-by-way-of-Denver musician’s Death After Life on February 11, a serious dance record intended to experiment and meditate on the TR-808. What’s interesting about the release is it’s clever monotony: it features eight songs called “Death After Life” along with bonus cuts “Ready To Live,” a two part song. All the sounds are coming out of the same pool of 808s but feel particularly polished and new, perhaps what the new life being suggested in the title is.
It’s a little difficult to explain the work of Dyami O’Brien. The artist paints warped portraits of people that exaggerate their physical characteristics while also addressing their personal style. They’re inspired by everything from soul records to Facebook pages, something we discovered while researching his work previously for Los Angeles, I’m Yours. If anything, O’Brien is an artist doing something totally unique.
Skyler Brickley is a New York based artist who basically makes what looks like destroyed hoods from brightly colored cars from the future. He twists and punches through sheets of supposed metal that could be shipped off to a space junk yard. They are big and fascinating and definitely give you the feeling that his pieces are part of something larger. Maybe a Transformer molted, leaving behind this rippling sheet? No, not really: they’re actually made out of polyethylene terephthalate or FRP, complicated and sturdy plastics that—when painted with automotive paint—appear to be twisted metal.
Koki Tanaka is a Japanese artist living in Los Angeles whose work is about manipulating normal objects. He doesn’t warp them into giant sculptures or use a ton of little things like buttons to make mosaics. He instead allows little moments of normalcy, small or big gestures to stand on their own as some sort of art. As was done with his 2012 reflective Beholding Performer, Performing Beholder and booming 2008 Then, a whole bunch of basins crash down to the floor of the Museum of Modern Art, he uses common objects for big reactions.
A lot people still use Svpply—and I was using it for a while. When it came out it was a one-of-a-kind, well designed way to track things that you would like to purchase and show off what you’ve already purchased: it was beloved by all. It’s a means to log what you are into at a certain time and helps in cataloguing trends that are quickly passing at the hand of the Internet. I eventually stopped using it, though. There was no reason: I just stopped. I’m not sure if it got old or I couldn’t find exactly what I wanted but I stopped using it. Perhaps the searching was too annoying? I don’t know.
I re-downloaded the app a few months ago and somehow found myself onto a new app that they made, a spinoff from the original called Want By Svpply. I ultimately deleted Svpply again since I was forgetting to use it—but I found myself on Want every day. What is Want then? It’s a daily catalogue delivered to you in a clean, interesting, very Svpply way that uses your previously Wanted items to select suggestions for you. If you are overwhelmed by the search of Svpply, Want does the work for you by offering suggestions.