The Art Directors Club annual Portfolio Night is fast approaching—a “global portfolio and recruitment event” for young advertising creatives (or, in my experience, an evening of industry canoodling and general debauchery). The campaign surrounding this year’s event has aptly been titled “Blood, Sweat and Tears.” A theme any creative can no doubt relate to. 12 typographic executions have been created by 12 different designers, each reflecting a personal interpretation of the aforementioned phrase.
With the Oscars around the corner, a new identity for the Academy that’s behind it all couldn’t have come at a better time. While the Academy might be synonymous with the film industry, they seriously lack a visual representation and often get lumped in with their iconic effigy. California based agency, 180LA, set about bringing the Academy from the shadows and literally into the spotlight, introducing a modern identity of pure class. A rebranding that manages to reach for the future without forgoing the decades of history under the Academy’s wings. Continue reading this post…
New year, new New York City Ballet Art Series. Following the success of last year’s offering (featuring FAILE), NYCB has enlisted the talents of renowned artist and self-proclaimed “photograffeur,” JR. An annual offering that aims at introducing a new generation to the entertainment of ballet, the Art Series has established itself as one of the cities’ must-see attractions and offers a new way to experience a night at the ballet. Other than that, why else should you be interested in attending? Every audience member receives a take-away specially created by the artist.
The other week marked September 11th’s twelfth anniversary. A moment in history that will no doubt live on in the minds and hearts of Americans. Yet, I can’t help but get the impression that its legacy is dwindling. Probably for the better, it seems most opt to quietly remember as opposed to making a big deal of it all. As writer Robert Frost famously once said, “in three words I can sum up everything I’ve learned about life: it goes on.” While some may have carried forward, New York City Ballet has not. Or have they? In a poetic homage titled New Beginnings, the company staged and filmed a performance atop 4 World Trade Center. The result is touching. It’s poetic, poignant even. I cannot stress this enough: it’s the perfect 9/11 tribute, harkening Frost’s aforementioned sentiment.
I can’t remember how I first met Designer and Art Director Sue Murphy but it was some time ago; and every now and then I check back on her work to see what she’s up to and find her in a different country. Born in Ireland she’s since racked up a fair share of air miles studying in Savannah, working in Amsterdam and of right this moment working as an Art Director for Ogilvy and Mather in New York. To begin this series of Creative Interviews I thought who better to begin with than the freckly, funny and flighty Sue.
She was also kind enough to takes some snaps of the office in New York and comment on them. I always love seeing these sorts of places, I can’t quite explain why but I find it interesting to see the environment that great work is created in.