Barrow Cabins is the name of a collection of photographs by the Seattle-based photographer and mixed-media artist Eirik Johnson. Presented as a series of diptychs, the images show summer and winter views of small hunting cabins built by the Iñupiat inhabitants of Barrow, Alaska. Located just 320 miles north of the Arctic Circle, Barrow is a mere 1300 miles south of the North Pole and is the largest city of the North Slope Borough.
There’s something alluring about a well-designed hotel that will always grab my attention. Perhaps it’s the allure of hotels themselves, the glamour of staying in a luxurious space, the mystery of who may be staying there? Whatever it may be, the Prahran Hotel in Melbourne hits all the right notes for me.
To finish the week, how about some lovely drawings by Toby Melville-Brown? These drawings of fictional towers are as absurd (and almost as detailed) as the room with 80 million surfaces, only realized in a way almost as slowly as an actual building project. He drew them by hand. It takes a level of skill and patience I can only imagine. Happily, the results of all his work are amusing drawings when seen at a distance, but infinitely rewarding as you lean in toward the details. His drawings make me wish I had opted for the retina display. You can see more under the jump.
Today, I thought I’d share three videos of three very different projects under construction right now. The projects are all quite different, and this is in no way a comparison of the three. But they are all interesting to different people and are being realized to vastly different scales.
Some people are scared of rooms. These people, who suffer from koinoniphobia, might want to stay away from Digital Grotesque. The exhibition isn’t necessarily scary but it does feature a room that might be overwhelming… even if you don’t have a phobia. Made using digital fabrication techniques, the room has some eighty million surfaces. And in case the complexity isn’t enough, the entire room is gilded. Based on the model photo above, I can’t tell if this novel form of space making is the future of surfaces or an aliens interpretation of the Baroque period.