Peter Zumthor Redesigns LACMA As A “Black Flower”

Peter Zumthor's Proposal for LACMA

I haven’t quite known what to think about Peter Zumthor’s proposed overhaul of the LACMA campus, ever since I saw it described as a “black flower.” It confused me. I know black flowers exist, but the architect’s nickname for the project doesn’t help me understand this enormous, amoeba-shaped slab of concrete that the architect has plopped down onto the sunny Los Angeles terrain. And aren’t flowers, even black ones, usually delicate? This project is something much sturdier and larger, and when it’s done, will probably smell a lot more like the neighboring La Brea tar pits than a flower.

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Alex Dent

June 13, 2013 / By

A Seemingly Dilapidated Home That Hides A Crisp, Contemporary Interior

Raffaello Rosselli Tinshed Sydney Scrap facade

Do you like surprises? Architect Raffaello Rosselli probably does, as is evidenced by this surprising piece of architecture. The project, a house in the suburbs of Sydney, has an unique facade which references the neighborhood’s industrial history. A lowly tin shed used to stand where Tinshed (the name of the home) stands now, but it was razed and rebuilt using sturdy materials and amenities like insulation.

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Alex Dent

June 12, 2013 / By

SHoP, the Future and the Past of Penn Station

Penn Station New York McKim Mead and White

Before we talk about the future of Penn Station, we have to briefly consider its past. In 1963, the Penn Station above was demolished. This was after much protest by the architecture community and historic preservationists. The original 1910 structure by McKim, Mead and White exemplified Beaux-Arts architecture and it was razed to make way for the squat concrete cylinder that is Madison Square Garden. This week, the Municipal Art Society of New York released the results of their challenge to four teams of architects to imagine a new future for the site.

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Alex Dent

June 10, 2013 / By

The Draftery

Mentor Noci Architecture Graphics the Draftery

The Draftery is all about contemporary graphic work as it relates to architecture. Mostly concerned with drawings (as distinct from models and renderings) that may be touched up with digital tools but are mostly executed using manual ones. In the Draftery’s own words, their goal is to “promote graphic works by lesser known architects, artists, students, and other practitioners. It is a place for the analysis and presentation of architectural drawings—a place to learn how each practitioner’s personal reasoning develops a distinct process.” And it’s where I found these fantastic watercolors– er, watergrays- by Mentor Noci.

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Alex Dent

June 7, 2013 / By

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