Scrolling through Will Bryant’s excellently curated tumblr, I came across the fun work of Minneapolis-based artist and illustrator Eddie Perrote. Eddie’s work is full of vibrant, tripped out, intricate images that look like a super weird party world.
Space Suit of the Week

Mihoko Ogkai’s ongoing series Milky Ways explores the ideas of life, death and rebirth. The dead or dying human life forms are constructed with fibre-reinforced plastic and embedded LED lights that project star-like fields of light on the surrounding gallery walls. Tiny holes dot the figures; the light emitted transforms these tortured, decaying bodies into incredible portraits of the night sky.
Moonassi Drawing: The Beautiful Graphic Art of Daehyun Kim


Daehyun Kim is a graphic artist from Seoul in South Korea. Since 2008 he has been working on a series called moonassi drawing. These are mostly small sized pictures which are painted in black and white using pen, marker and occasionally brush. Daehyun studied fine arts at a university that specialized in Traditional East-Asian Art and Painting and it’s clear to see that this traditional practice has gone on to influence his work.
The Teton County Library in Jackson, Wyoming physically responds to the Internet
If you’re looking for a fun place to hang out and interact with data (and who isn’t?) try the Teton County Library in Jackson, Wyoming. The library has a new addition built by Gilday Architects. And inside the new entrance lobby, you’ll find a stunning installation created by E/B Office. The New York-based practice has filled the lobby with five miles of fiber optic cable cut into a thousand segments.
Film Art: The posters of Akiko Stehrenberger

Before any discussion of the poster for Funny Games ensues, I must emphasize that the German turned American film, by Austrian filmmaker Michael Haneke, is without a doubt a terrifying, horror movie. Funny Games is grotesque, actually, with very sinister undertones and a fair bit of gore. In designing a poster for this film, L.A. based creative Akiko Stehrenberger, made a definitive choice. Rather than funnel perception of the film toward a bloody and bone chilling horror mess, Stehrenberger focused the branding toward a clean and minimal approach, one that is rarely seen within the horror genre.