Let’s do launch! This week we’re serving up an intergalactic adventure from 1968 care of the hotel chain Howard Johnson, which gives a child friendly look at the film 2001: A Space Odyssey. John Sisson, on his blog Dreams of Space, recently scanned in a menu and comic book which was released by HoJo as a promotional tie-in, featuring iconic moments from the film.
Thoughtful filmmakers intent on making engaging experimental films in today’s cinematic climate are fearless. Only a handful of filmmakers, able to uncover the balance between formal abstraction and narrative fluff, succeed in making films that are a cut above the rest. Harmony Korine of course rules this utopia, as does David Lynch, Michel Gondry and to a certain extent Terrance Malick, with his rapturous depiction of regeneration. Hopefully, Shane Carruth, the writer, director and star, of his second film Upstream Color, will become the newest, most promising member of this crew.
If I were to take a guess as to what the next big fad in movies might be, I think I’d put my money on space. Last week saw the debut of two new trailers for films set in space, one which looks good, and one which looks extraordinary.
I am not a surfer but have always loved the sport. I remember watching and discussing movies like North Shore, Surf Ninjas, The Endless Summer, and Point Break with my fellow desert landlocked friends who pretended skateboards on cement were surfboards on waves. And I remember how exciting it was seeing girl surfers represented in films like Gidget and later Blue Crush. But aside from the plethora of documentaries like Step into Liquid and Riding Giants, I never realized just how many surf films were being made by independent filmmakers, enthusiasts, and devotees of the sport. Nathan Oldfield is one such filmmaker, and his cinematic vision of surfing and the lifestyle surrounding it is remarkable.
The fine folks at Instrument, hands down one of the best digital creative agencies, have released a new experimental projects which pairs a short film with contemporary web technologies. Titled The Build, the film follows the lives of three motorcycle builders – Casey, Thor, and James – as they discuss their lives and passions.
This film is everything I truly love about Portland. First, it’s about makers, people who really do get their hands dirty and are passionate about what they build. Truen Pence, Instrument’s resident filmmaker, does an incredible job of capturing each of these guys as they ride around town or in the woods of Oregon. And from tech side it’s great that Instrument is pushing HTML5 video and WebGL to do some interesting projects. It makes me excited for the possibilities of film on the web and how the two could mesh together even more to create some truly unique experiences (see also: Carly’s Cafe which Andi wrote about).