I always sucked at Sim City but I excelled at The Sims. I still loved Sim City and always tried incredibly hard to not go bankrupt or create droughts in my city. Utopia is a hard goal to reach. But perhaps I can reach my goal next year when Maxis releases a beautiful new version of Sim City.
With the new version they seem to have taken a lot of style and design cues from The Sims, which is a really smart move, as they’ve always felt like two separate worlds that should really be one. Make it so your characters from Spore can invade the world and they’ve wrapped everything up with a nice,big bow.
You’ll see some of the other crazy improvements they’ve made in the videos above, things like characters and objects having independent motions and motivations. The rendering engine looks like it’s capable of a lot of amazing stuff, hopefully you don’t need an equally outrageous computer to play it. The other cool feature is a multi-player option, which should allow you to have your city next to those of your friends, thus being able to help or destroy one another.
I came across this silly game called Where’s The Pixel? this morning after Pieter from Today and Tomorrow tweeted about it so I thought I’d share it. As the title suggests, you simply have to find the one black pixel on your screen. Sounds easy, but it’s actually harder than you’d think. I was playing it on my MacBook and lord knows how dusty the screen can get. I figure some of you can play this game against your co-workers to see who has the best visual prowess.
Speaking of Skyrim, after I read Alec’s post I did some browsing around Flickr to see if I could find some fun fan art to attach to his post. I didn’t really find much, but I did really like these shots of the Skyrim world turned into tiny planets, created by Luca Biada. It’s amazing how much character and detail go into the worlds of video games these days. Are there people out there who are considered to be the best landscape designers in video games? What a rad title that would be.
I see the major cities marked in detail on my map. The road looks far, the journey treacherous, and dragons are prowling the skies, looking for me. They’ve done it before and it wasn’t pretty. It is my twentieth day in Skyrim and I am too afraid to leave the first city in the game. So I sit at home and cook.
Skyrim is a massive game. It sold 3.4 million copies in two days and has been met with universal acclaim. It has also made people consider the use of catheters, fake mono, burning their vacation time, re-arranging their weddings or dropping off the face of the planet. The beauty of the Elder Scrolls series has always been the dawning in your psyche of the games parameters. Initially the game looks very restrictive – follow the quests, don’t kill people in town unless you want to go to jail. But in Skyrim, the “rules” of the game slowly break before your eyes. It’s not about what you can do, but what you can’t.
I spend the rest of the day reading books in my new house and playing with alchemy lab. I end up learning several new potion recipes and sell them at a high price in order to buy a new couch for my living room. I debate whether I should figure out how to marry Lydia, my shieldbearing companion in crime. I think I need a drink (that’s too much thinking for me) and I wander over to the The Bannered Mare. A strange man challenges me to a drinking competition. No drink is off limits to me so I take this guy up on the offer. I match him until I pass out.
And I awaken in a Temple on the opposite side of the continent. Clothes are everywhere and the place is a mess. I guess all it took was a few drinks to leave town. What did I do last night?
For many video game enthusiasts, the BioShock series is a grouping of games handcrafted by the gods of video games for us mortals to play when they allow us to. The series has two games so far–BioShock and BioShock 2–with a new one which will be released next year: BioShock Infinite.
Details on the new game were kept under wraps for some time, but are now out in the open: the new game does not take place underwater as the first two but in the air, in Columbia, during the year 1912. You play Brooker DeWitt, a former government agent, who is searching to find a woman named Elizabeth, who he feels is at the center of a civil war. Unfortunately for them both, she is being pursued by a former captive/robotic monster called Songbird. Sounds a little confusing, yes, which I am sure is the point until you actually play it.
The video above is a fifteen minute gameplay demo that debuted at this year’s E3, where it swept the conference’s awards. The video takes place in the middle of the game where Brooker and Elizabeth are perusing this air city, occasionally stalked by Songbird and others, but also using tears, items that alter space and time. As you can see in one of the photos, there is a “Revenge Of The Jedi” marquee which is when Elizabeth opens a tear to the early eighties (yes, that is Tears for Fears you hear in the clip).
As you can tell, this new entry in the series is a total departure and looks nothing like the other entries in the series. Watching the above clip it seems very, very confusing how to play this game as it looks like a movie. If you still want more on the game, the Bioshock Infinite site has much more fun videos and IGN released the first ten minutes of the game last year, furthering that this game is just a movie you click buttons through.