I have to admit, Fez was a very frustrating game for me. It started out really fun but then it began to boggle my mind and I couldn’t figure out what to do. Still, it had a kick-ass soundtrack by Disasterpeace, a Berkeley based musician who really helped bring the game to life. I’ve been listening to the soundtrack a lot lately while I design/write, fitting perfectly into the background and not distracting me.
You can listen to the whole thing by clicking that little play button above, or if you have Rdio you can click here and listen to it.
This morning I decided to go for a run (the first time in quite a while) and threw on the new Tycho album Awake to accompany me. It turned out to be a great choice, the songs having this driving quality, like an upbeat soundtrack to your life. Clocking in at around 36 minutes it seems like it almost was made for a morning run.
It’s been a rainy couple of days here in Los Angeles, a rarity for sure, but it certainly creates a nostalgic feeling. It made me think of this oldie from The Rolling Stones called “As Tears Go By”, one of the Stones’ first original songs. It’s a lovely song which is a vast departure from their later material, with gentle vocals and lush strings flowing throughout it. If it happens to be raining where you are, open the windows and put this on repeat, I promise it’s perfect.
Crazy enough, Avey Tare (from Animal Collective), Angel Deradoorian (from Dirty Projectors), and Jeremy Hyman (from Ponytail) got together and started a new little band called Avey Tare’s Slasher Flicks. They posted a song on to the Animal Collective Soundcloud a few weeks back called Little Fang and it’s pretty sweet. Reminds me a lot of Ariel Pink (in a good way).
There is apparently a documentary coming out called I Dream Of Wires about the rise of the modular synthesizer, a musical tool that has helped in the popularization and accessibility of electronic music. The film explains and shares tales from successful musicians like Trent Reznor to Carl Craig in the hopes of explaining the relationship this item had in forming an entire musical movement. The project comes from a special place as it was written and directed by Robert Fantinatto along with co-writer and producer Jason Amm.
Amm’s involvement is quite significant as he is a respected musician working under the name Solvent. Naturally, his involvement has brought out some new music by way of him soundtracking the project. The first taste of the film’s sound is his song “Burn The Tables,” a six minute crisp, crunchy computerized jam.