Bibio is releasing a new EP titled The Green E.P. on January 27 as a follow-up to his stunning album Silver Wilkinson, one of my favorites of last year. Above is a song called “Down to the Sound”, a beautiful acoustic song which feels like the modern day equivalent of something Simon & Garfunkel would have done in their heyday. One of my favorite parts of this song is how he layers the vocals over one another, it’s just lovely.
It’s that time of year: it’s the beginning of January, a time when I take to some Internet something to exhaustively share music musings related to the past year. It’s a reflection on works behind us that I’ve obsessed over in a vacuum and is an opportunity to share what people were and weren’t listening to. This is purely objective and from a very specific point of view. Unlike last year, I realized that this list isn’t very vanilla: it’s fucking weird. It’s not intended to be but, hey, the music that gets me off is typically oddball electronic, ambient, and experimental in nature. That’s kind of a warning: this list may not be for everybody. It’s also a long ride: hold on to your butts.
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Chromeo is very 2007 to me, but this new track/album might change my opinion. The smooth duo of P Thugg and Dave 1 have a new album, tastefully titled White Women, and I’m guessing this is the first single off of said album. It sounds like Chromeo has made one of the best new bangers of 2014, and adding Toro y Moi for some accompanying vocals was a stroke of genius. If this doesn’t make you move you might be dead.
P.S. How great is that album art?
These days, there are few musical artists that I find more interesting than Burial. There’s something so intense, dark, and sprawling about the electronic music he creates that differs from anything else I’ve ever heard. His newest release is a three song EP titled Rival Dealer, which continues his dark, musical journey.
You can listen to all three tracks below, but I highly suggest purchasing the album from Hyperdub and supporting artists who are truly shaping the landscape of music.
Not sure where this came from but I’m loving this Erlend Oye cover of Wham’s X-mas classic “Last Christmas”. It’s already my favorite X-mas time song, but hearing Erlend do his Kings of Convenience-esque version is kind of a dream. Definitely brings the song a much more somber tone, perfect for the winter.
Found this great live mix of Four Tet playing at the Hostess Club Weekender at the Yebisu Garden Hall in Tokyo, Japan. It’s a really phenomenal mix, going to be playing this all weekend.
With the holiday season in full swing my music taste tends to change, leaning toward holiday favorites like Vince Guraldi Trio’s Charlie Brown Christmas or J. Tillman’s albums. I’d me remiss not to mention Joni Mitchell’s Blue, a love letter to California with tinges of sentimental, seasonal sounding songs. But is it possible to improve one of Mitchell’s classics?
James Blake may have accomplished this. His version of A Case of You is a touching, slightly haunting adaptation that fully competes with the original. There’s this live sort of ambiance to his performance which brings a certain atmosphere to the song. It’s also interesting to hear a piano instead of a guitar and drun like the original, changing the tone entirely. I hope you dig it as much as I do.
I feel like it’s been a while since I’ve heard a song so good that it had me rock my head back and forth, smiling from ear-to-ear. That’s the exact feeling I get when I listen to “Mean Streets”, the new track from Tennis, made up of husband and wife duo Patrick Riley and Alaina Moore.
The song starts out pretty soulfully with Alaina’s vocals mingling with a subtle snare and piano, which continues for a couple of minutes. But then, at 2:12, everything but Alaina’s vocals drop out and she’s singing an angelic tune, and suddenly, she’s accompanied by a gut busting harpsichord/drum b combo that gets me me moving every time I hear it. Seriously, if you can’t get into this track we could never be friends.