New York based photographer Kevin Tadge has started a lovely, minimal photo series of still lifes taken at various museums. Oftentimes when you see photos of museum pieces its of the taxidermy animals, but Kevin has found the beauty in all kinds of objects ranging from rocks to flowers to pieces of ancient sculptures.
The Nakagin Capsule Tower, designed by Kisho Kurokawa, opened in March of 1972 as an ideal for architecture, allowing for a flexible capsule based system that would change and grow over time. Unfortunately the idea never really stuck and these capsules, meant to last around 25 years, are still in use to this day. Photographer Noritaka Minami has created a photo series titled 1972 which explores the Capsule Tower, giving insight into the decaying building.
This prototype for a new lifestyle for the 21st Century ultimately proved to be an exception rather than the rule. The Nakagin Capsule Tower in fact became the last of its kind completed in the world. Furthermore, the building has never undergone the process of regeneration during the 40 years of existence. None of the original capsules have ever been replaced, even though Kurokawa intended them to sustain a lifespan of only 25 years. As the capsules accumulate patina on their shells through the passage of time, they exist as a reminder of a future imagined to be possible at that moment in Japan as well as a future that never came.
Entitled Murakami’s Monster Magic, the photos were shot by Jason Schmidt and feature model Angela Lindvall as well as Murakami’s cast of movie monsters. The series is pretty fantastic and surreal, a beautiful woman walking around with these bizarre creatures in a variety of random Los Angeles locations – wandering through In-N-Out, lounging at the pool at The Standard Hollywood, or walking through Beverly Hills.
Because of the expert styling and lighting these definitely feel like works of art, and the subtlety of each movement is just so that it takes a second to figure out that something is happening. It’ll be cool to see how Jean-Yves continues to evolve this sort of technique and what the practical applications would be for a technique like this.
Robin Friend’s Belly of the Whale is a moody and atmospheric collection of photographs. His ongoing series is shot in-and-around Dartmoor in England’s West Country and it presents a body of work that embraces exploration, chance encounters, adventure and discovery. It’s a fantastic series and Friend’s lens captures both nature and man at their most beautiful and their most raw.