So you know how a rainbow is supposed to have every color in it? It doesn’t. And this video from The Royal Institution, in part, addresses why you won’t find purple in rainbows. But what the video is actually about, and what’s awesome, is how we perceive color.
Last week, I wrote about a wonderfully animated video by Al Boredman. Instead of simply highlighting the great animation, I took the opportunity to whine about some of the buildings that made the cut and some that didn’t. So I was dismayed, but not surprised, when I realized I was one of several people complaining about a fantastic video for a pretty flimsy reason. It reminded me how cantankerous people can be when talking about architecture, or maybe it’s not unique to the subject and everyone online is pretty much always cantankerous. So this week I’ve decided to highlight things I’ve come across recently that are simply amazing. No detractions. The first amazing thing is a pattern hidden inside a meteorite.
There is a wonderful scene in WALL-E of the spaceship Axion re-entering Earth’s polluted and desolate atmosphere; space waste is littering the planetary field surrounding the pale blue dot and suffocating it. Immediately seeing SMATIK’s Dead Astronaut wallpaper, I remembered this scene with great clarity.
There is currently 19,000 pieces of debris larger than 5cm and another 300,000 pieces smaller than 1cm that is hovering around our homeland. Space junk consists of a wide range of material left behind from the quest of space exploration – spent rockets, old satellites, etc. This growing beehive of debris that may collide with operational spacecrafts and other bodies.
Let’s do launch! This week we’re serving up an intergalactic adventure from 1968 care of the hotel chain Howard Johnson, which gives a child friendly look at the film 2001: A Space Odyssey. John Sisson, on his blog Dreams of Space, recently scanned in a menu and comic book which was released by HoJo as a promotional tie-in, featuring iconic moments from the film.
These photos aren’t the end product of some sweet new Instagram filter, but of gasoline.
Photographer Peter Hoffman traveled along the Fox River in Illinois, photographing the river’s meandering surface through rural and suburban areas. Before he developed the film, Hoffman drowned the negatives in gasoline and then set them on fire, throwing water to halt the process just before the film was completely destroyed. Hoffman uses fossil fuels to disturb his film in order to reflect the very real environmental disturbances caused in the pursuit of oil. He specifically cites the Deepwater Horizon Spill in a statement about the series and in further commentary about his work he says:
“I wanted to transfer that feeling I had, which was maybe something like a sense of powerlessness or dread, to the image making process. I wanted to lose control, having the resulting work border on ceasing to exist in any recognizable form.”