Patrick McPheron‘s cosmic portraits are hyper glossy. I wouldn’t be surprised if the first issue of VOGUE Mars features some advertisements akin to them. This is a future where everyone is dashingly handsome, charming and smoother than Don Draper of Tomorrowland.
Without having to crowd around a microscope, the lastest Shane Hopeexhibition at the Winkleman Gallery gives all of a turn exploring the exceedingly tiny and complex architecture that hides inside our bodies. Well, sort of. Hope creates his work using molecular modeling software and a series of self-made 3-D printers. He pairs these technologies to produce these amazing but absurd assemblages of morphologies we might be more familiar with if we were either nanometers tall or histologists on an acid trip. The text for the exhibition is… a trip itself, predicting a world where we can building whatever matter we want using 3-D printers.
Nick Bowers describes his work as an exploration between the natural and man-made; his statement reads, “His landscapes expose the paradox of grand oppressive spaces with their delicate and vulnerable details. His portraiture and still life series are revealing studies in intimacy.”
Polish born, New York based artists Joanna Malinowska and Christian Tomaszewski realize fantasies of the future as imagined by the Communist Era Soviet Bloc in their Mother Earth Sister Moon installation. The installation takes form in a massive space suit replica of the Soviet Space Sweetheart – Valentina Tereshkova, the first lady in space. The belly of Valentina’s goliath galactic get-up serves as a home to a curated fashion and design showcase that weaves narratives of Soviet sci-fi and its space program. With the lens of architecture, music, fashion and style, the future in female dress forms are realized.
Mihoko Ogkai’s ongoing series Milky Ways explores the ideas of life, death and rebirth. The dead or dying human life forms are constructed with fibre-reinforced plastic and embedded LED lights that project star-like fields of light on the surrounding gallery walls. Tiny holes dot the figures; the light emitted transforms these tortured, decaying bodies into incredible portraits of the night sky.