For this week’s Mixcast I didn’t really have any sort of theme, it’s pretty just what I’ve been listening to lately. It definitely has an undertone of electronic music and it’s probably peppier than most things I do. There also isn’t a lot of singing on this one, it’s mostly good beats.
I do think though that there’s a pretty good mix of really popular artists mixed with rather unknowns, so hopefully you can find some new tunes on this as well. A couple notes, I did narrate this one and I may have made myself laugh a couple times. This is probably due to the fact that I’m totally exhausted right now. The second thing is that I’ve put the track listing in the lyrics part of the metadata. I’ve had a few people ask for it, so there you go. I hope you enjoy this mix, I think it turned out really well, kind of surprisingly so.
Here’s this week’s tracklist: Giant Squid by RjD2 Hypertexan by Ben Benjamin Plastic People by Four Tet Pleasant Experience by Small Black 7 by Collections of Colonies of Bees Nitetime Rainbows by A Sunny Day in Glasgow Alley Cats by Hot Chip James’ Second Haircut by Caribou All Dried Up by Phantogram The Screens by Atlas Sound Dawn Chorus by Boards of Canada
Four years ago hip hop suffered a major blow when one of the most talented and imaginative guys, J Dilla, passed away at the age of 32. I’m far from an expert on Dilla and his career, but I bought Donuts when it came out in 2006 and loved it from the first time I heard it. It’s basically a giant mixtape of random loops and beats taken from all over and who knows where.
Unfortunately there are still a lot of people out there who don’t know J Dilla or his music, so Stussy has teamed up with his record label Stones Throw and the Dilla Estate to release a three part documentary outlining his short but incredibly influential life. So far only part one and two have been released but I’ve already learned a lot of things that I never knew. It’s so great to hear guys like Peanut Butter Wolf and DJ Rhettmatic from Beat Junkies retelling Dilla’s rise from his days in Detroit to his blossoming as a producer in Los Angeles.
I’m really looking forward to part three, and I’ll be sure to update this post (and put a reminder on the blog) when it’s released. Until then, enjoy these two 8 minute parts and learn about a talented man who left an amazing impact.
In my favorite albums of last year I think I was pretty clear that Hospice by The Antlers was hands down my favorite. So it’s kind of funny that there’s just now a brand new video out for one of my favorites off of the album, Bear. I’m pretty sure the song is about a young couple who end up getting pregnant and then choose to abort the baby. But I think they make the choice because they’re so old, or as he repeats in the song over and over, “Just too old… we’re not old at all…”
I’m not quite sure what the video has to do with the song at all, but it’s certainly beautiful. It was directed by Evan Owen Dennis and was shot by Aaron Phillips, who I think did a great job. LIke the video in the previous post, there’s a lot of contrast and very desaturated colors which really give the video an old, somber kind of feeling. Is the ball meant to represent the baby? I honestly have no idea what any of this means but if you do please share it in the comments.
The other day I got an email from a guy named Stebs Schinnerer, who was writing to tell me that he filmed himself doing some tricks on his bike in the middle of the snow in Massachusetts. On the video description it says that it took him about 3 hours to shoot and edit the entire video… which was done by just himself. That’s right, he shot it, he edited it, and he rode around the snow.
The video itself, while simple, is shot really beautifully. There’s kind of a quiet beauty to the video, with Mr. Schinnerer cruising around to the sound of Efterklang’s Mirador. He did an amazing job of editing the video together and creating a look and feel. The contrast was amped up and the color desaturated, giving the video look even chillier. It would be really great if more people could do small, beautiful projects like these in only three hours.
I’m not sure if you’d heard, but Katamari Damacy creator Keita Takahashi has released his latest game Noby Noby Boy on the iPhone, and boy is it weird. You basically control this little turd guy, making him stretch and interact with all kinds of weird objects. I downloaded the game last night and I’m not sure I’ve discovered the point of it…. if it even has one.
I think it’s interesting that the game really doesn’t have a point, that’s it’s just entertaining, especially for kids. To promote the game they’ve made a series of trailers showing the characters in a board room talking about the game and giving you a preview of it as well. Like I said, it’s totally weird, but worth checking out.